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20-06-01
news
Review
& Pics of U2 in DC...
Almost three months after they first 'elevated' fans
in Miami, U2 are gradually saying goodbye to
their American fans as the tour is coming to an end.
On
Friday (June 15) night's show in Washington DC, the
band gave yet another typical but unforgettable performance.
Kicking off with 'Elevation' under the full
lights of the arena, they played a set very much like
a greatest hits album.
It was a mix of old and new U2 songs, although tracks
from 'Pop' were omitted. 'Sunday Bloody
Sunday' and a flawless '11 O'Clock Tick Tock',
although evocative of Red Rocks, lacked the stamina
of the U2 of those days.
But the band, with time and experience, has acquired
a different energy now, one that isn't perhaps as
physical - except Bono's marathon run during
'Where the Streets Have No Name' - but which
nevertheless makes a deep impact on the crowd.
And
the crowd went wild, especially when Bono introduced
his bandmates. "I am going to do something which is
very hard for singers to do. I'm going to introduce
the band."
At the tip of the heart, the band broke off into a
semi-acoustic, toned-down version of 'Desire'.
The Edge's guitar expertise on 'New York'
'The Fly' rocked the house as it did on 'Until
the End of the World', where he played a cat-and-mouse
game with Bono on the heart.
Although
a very minimalist show, 'Mysterious Ways' was
flooded in the technicolor glory of PopMart.
Bono also borrowed some verses from a couple of classic
hits, such as Bob Marley's 'Get Up, Stand
Up' and Marvin Gaye's 'Sexual Healing',
incorporating them into the rock 'n roll melodies
of U2.
The
band's own songs have reached the perennial status
of these classics. And no U2 concert is complete without
raising awareness about certain issues. And what better
place than Washington DC, where Bono mingles regularly
with high-profile politicians lobbying for the Drop
the Debt campaign.
Rock's Most Outspoken Conscience tried to open hearts
and minds as he made brief declarations about an array
of social issues, ranging from the cancellation of
Third World debt and AIDS to the rights of homosexuals,
for whom 'One' was dedicated.
'Bullet
the Blue Sky' featured images of Charlton Heston,
president of the National Rifle Association,
U2's new enemy in their protest for gun control.
Bono
held a spotlight over each section of the arena -
the star shining light over his audience. U2 ended
the evening with 'Walk On'.
The
full setlist was as follows: